TUMSA

MUSICIANS are ARTS WORKERS

That defines us as part of the Working Class who is the engine room of our Society. True Freedom has not been achieved yet until Music Workers share equitably in the Proceeds from our Production and the Economic Security
that brings for ALL Working Musicians.
We will push forward in our Creative Space
until such Freedom has been achieved for
Music Practitioners – and beyond!
Much love and respect, TUMSA.

Music Industry Professionals
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*ACTIVISM = RESULTS*
WE WON THE 1st Round of the COPYRIGHT
AMENDMENT BILL BATTLE for now,
Thank you to our President who heard our plight and sent both these flawed Bills back to PARLIAMENT!!!
See below our Journey to COMPOSERS’ VICTORY

And the BIGGER GUNS
start joining the battle.

The making of “VIKELA MINA”
Feat. KWESTA and All Stars
(We take you behind the scenes)

———————Situation RED———————
We faced an uphill battle… * Inform yourself – Read this !
Since the first Draft of the Amendment of our Copyright Bill in 2015, we have been at the forefront to ensure better protection for our Mzansi Composers’ Copyright. It has been, against much adversity. It first started as draft legislation – in answer to the MITT Report of 2001 http://www.concertssa.co.za/wp-content/uploads/2016/06/DACST-Music-Industry-Task-Team-MITT-2001.pdf and the CRC Report of 2011 https://www.gov.za/sites/default/files/gcis_document/201409/crc-report.pdf, both which called for more effective management of Copyright protection to fairly accommodate the interests of both Creators and Users at the dawn of 4IR, but as soon as International Lawyers and Academics backed by the Tech Platforms became involved, it very quickly leaned towards USER INTERESTS with the Tech Platforms lobbying for so-called “fair use” a practice which they led the DTI to believe was “the most enlightened way forward”. Composers saw through this ruse very soon and eventually (Kwesta, Vicky Sampson, Locnville, Ernestine Deane & Gabi Le Roux) was forced to do a last minute submission plea to the Portfolio Committee . Unfortunately, whilst the “entertainment” was enjoyed by the P-Committee on the day, the very simple 3 Composers’ Clauses we asked the Portfolio Committee to introduce in the Draft were simply completely ignored!

COALITION for EFFECTIVE COPYRIGHT
SO… We took a deep breath, regrouped and forged ahead…
1) We joined the Coalition for Effective Copyright, that even includes some of our usual adversaries, but the common onslaught by the Tech Platforms to influence our Bill set us against a common enemy, so for now we are in SOLIDARITY with all those who’s Copyright is threatened. That gave us more access to a a bigger audience to listen to our Plight, including TV Broadcast News.

Meanwhile most of the Tech Platforms have been infringing Copyright since they saw the light, under the “Safe Harbour” Protection of the US Senate 1998 Law – Online Copyright Infringement Liability Limitation Act. Click the link and *READ THIS to inform yourself! https://en.wikipedia.org/wiki/Online_Copyright_Infringement_Liability_Limitation_Act . So our ACTIVISM continues…

And the Battle ON THE STREETS continues…
Remember we are a TRADE UNION so yes, we took our fight to the streets! Various Marches and Pickets ensued in Cape Town and Gauteng with Memorandums delivered to the President’s Representatives. Wish you were there?