That defines us as part of the Working Class who is the engine room of our Society. True Freedom has not been achieved yet until Music Workers share equitably in the Proceeds from our Production and the Economic Security that brings for ALL Working Musicians. We will push forward in our Creative Space until such Freedom has been achieved for Music Practitioners – and beyond! Much love and respect, TUMSA.
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*ACTIVISM = RESULTS* WE WON THE 1st Round of the COPYRIGHT AMENDMENT BILL BATTLE for now, Thank you to our President who heard our plight and sent both these flawed Bills back to PARLIAMENT!!! See belowour Journey to COMPOSERS’ VICTORY
WORKERS have always been the Champions of Public Protest. NO Politician or Business Leader feels comfortable while the Workers are protesting in the Streets! MUSIC WORKERS are NO different.
Then your legitimate Worker-issues get the attention that is needed to bring about CHANGE.
And the BIGGER GUNS start joining the battle.
The making of “VIKELA MINA” Feat. KWESTA and All Stars (We take you behind the scenes)
———————Situation RED——————— We faced an uphill battle… * Inform yourself – Read this ! Since the first Draft of the Amendment of our Copyright Bill in 2015, we have been at the forefront to ensure better protection for our Mzansi Composers’ Copyright. It has been, against much adversity. It first started as draft legislation – in answer to the MITT Report of 2001http://www.concertssa.co.za/wp-content/uploads/2016/06/DACST-Music-Industry-Task-Team-MITT-2001.pdf and the CRC Report of 2011 https://www.gov.za/sites/default/files/gcis_document/201409/crc-report.pdf, both which called for more effective management of Copyright protection to fairly accommodate the interests of both Creators and Users at the dawn of 4IR, but as soon as International Lawyers and Academics backed by the Tech Platforms became involved, it very quickly leaned towards USER INTERESTS with the Tech Platforms lobbying for so-called “fair use” a practice which they led the DTI to believe was “the most enlightened way forward”. Composers saw through this ruse very soon and eventually (Kwesta, Vicky Sampson, Locnville, Ernestine Deane & Gabi Le Roux) was forced to do a last minute submission plea to the Portfolio Committee . Unfortunately, whilst the “entertainment” was enjoyed by the P-Committee on the day, the very simple 3 Composers’ Clauses we asked the Portfolio Committee to introduce in the Draft were simply completely ignored!
*Read this The 3 Composers’ Clauses we took to the Portfolio Committee and they simply ignored us? Take our word for it…WE ARE NOT giving up on LOCAL CONTENT!
COALITION for EFFECTIVE COPYRIGHT SO… We took a deep breath, regrouped and forged ahead… 1) We joined the Coalition for Effective Copyright, that even includes some of our usual adversaries, but the common onslaught by the Tech Platforms to influence our Bill set us against a common enemy, so for now we are in SOLIDARITY with all those who’s Copyright is threatened. That gave us more access to a a bigger audience to listen to our Plight, including TV Broadcast News.
And the Battle ON THE STREETS continues… Remember we are a TRADE UNION so yes, we took our fight to the streets! Various Marches and Pickets ensued in Cape Town and Gauteng with Memorandums delivered to the President’s Representatives. Wish you were there?
Vicky Sampson leading from the front
Zami Mdingi emphasising the South African & Pan-African priority
Ernestine Deane delivering Message through Song
Zolani Mahola inspiring marchers outside Cape Town Station…
April 2019 – Early assembly of marchers to present our Presidential Memorandum at Cape Town Station
Gabi Le Roux handing over a TUMSA Memorandum to Deputy Minister Mondli Gungubele, receiving on behalf of the President.